Si hai un creador referente en canto á xeración de gráficos sincronizados co audio, ese é Fly404.
E este é o seu impresionante último video, realizado para unha convocatoria aberta que radiohead fixo para a realización de videos para o seu album In Rainbows.
Weird Fishes: Arpeggi from flight404 on Vimeo.
Decir que o video está feito totalmente con códgio (processing) e non hai nin un só segundo de edición ou post-producción. É decir, o video está feito en tempo real, a sincronización e tal, que Fly404 tan só lle deu ao play do audio e estas foron as imaxes que saíron do seu programa, como el mesmo explica no seu blog:
Secondly, it is Processing from start to finish. There is no post processing (oooh, a literal pun!) or editing after the fact. I import the audio data from the analysis, augment it with the direct FFT data from the Sonia analysis, press play, and after it is done, I have the finished piece. This is both a plus and a minus.
The plus is that it kinda rocks to have a full video like this created with code. An unnecessary restriction really, but a bragging point for sure. The minus is that it highlights the weaknesses in my programming. Mainly, the camera object.
I wanted a more robust camera movement in the piece but just didn’t have time to figure it out properly. I played with attaching the camera to springs and changing the target programmatically, but the end result was rather jerky and very obviously springy. Ideally, it would have more of a handheld camera feel, but I just couldn’t quite get there.
Also, the flocking movement feels less organic than some flocking experiments I have done in the past and I plan on addressing this eventually.
O cal quere decir que si lle poñemos outra música diferente, o resultado final tamén o será. (O flocking movement ao que se refire, son esas liñas negras que parecen peces-corvos que cruzan a pantalla en manada. Un día destes falaremos dos flocks e boids, uns conceptos moi atractivos en programación).
Que o disfrutedes!.